Offline edit
Story and rhythm first, on your footage or ours.
Overview
Post-Production & Editing.
Post is where a shoot becomes a film. Rhythm, colour and sound do more for how a piece feels than any decision made on set, and they are the stages most often rushed.
We take on post-only projects as well as our own shoots — edit, colour, sound design, motion and finishing, delivered from a calibrated suite and a treated booth.
Everything is quoted fixed-fee against a written scope, and you keep full
commercial rights to the finished films on final payment.
What we produce
6 ways we deliver this.
Colour grading
Calibrated grading built for the piece, never a default LUT.
Sound design & mix
Treated booth, loudness-compliant masters, foley where needed.
Motion & titles
Graphics, lower thirds and animated typography.
VFX & cleanup
Rig removal, screen replacement and tidying.
Mastering & delivery
Every ratio, codec and platform specification you need.
Deliverables
What lands in your folder.
- Offline Edit
- Colour Grading
- Sound Design
- VFX & Cleanup
Masters in 16:9, 1:1 and 9:16, with subtitle files and Arabic versions on request.
FAQ
Questions we get asked.
Costs, timelines, permits and ownership — the things worth settling before the brief is signed.
Often yes, provided the source is technically usable. We will tell you honestly if it is not before taking the job.
Two on the edit and one on the grade covers most projects. Further rounds are billed hourly and agreed in writing first.
Yes — loudness-normalised mixes and correctly slated masters for regional networks.
Yes, within limits set by the original format. We assess and quote after seeing the material.
