Our story
It started with one camera and a rented light.
The first job was a two-minute film for a furniture workshop that could not afford an agency. It ran for three years and brought in more work than the client's entire print budget. That is still the brief we optimise for: a film that keeps working long after the launch week is over.
Fifteen years later the kit list is longer and the crew is bigger, but the method has not changed. Understand the objective first. Choose the format second. Only then pick up a camera.
Crafting films that move brands
in Dubai and across the Gulf, from first
concept to final grade.
What we believe
Four rules we do not bend.
Story before spec
Nobody has ever loved a film because of the sensor it was shot on. We start with what you need the audience to do.
Small crews
Five people who know the plan beat fifteen who are waiting to be told. Fewer bodies, faster days, lower cost.
Fixed quotes
The estimate is the invoice. If scope changes we tell you what it costs before we do the work, not after.
You own it
Full commercial rights and graded masters on final payment. No licence windows, no renewal fees.
Capability
Everything under one roof.
Owned kit, an in-house grading suite and a treated audio booth — which is why a two-week turnaround is a normal promise rather than a heroic one.
Camera
Cinema bodies, a full prime set, gimbals, sliders and a 12K-capable A-cam for campaign work.
Lighting
Bi-colour and RGB LED packages, HMI for daylight interiors, and a full grip truck.
Aerial
GCAA-licensed pilots on registered aircraft, with DCAA permits handled in pre-production.
Post
Grading suite, treated audio booth and a motion team down the corridor from the edit.
Start here
Tell us what you are making.
